One sentence in. One page out.
A single page for you and everything you do — a link in bio, a launch, a newsletter, a portfolio, a waitlist, a one-off popup. You bring a sentence; two minutes later piko hands you a page, fully written. Pull the levers, rewrite a line, say what should change, give it a lifespan, publish.
This is the whole design process on piko: pull a lever, look, pull again. No themes to audition, no settings to dig through — and nothing you pull can make it ugly. That part’s handled.
A press is piko reading your sentence like a brief: it chooses the sections, sets the type and palette, and writes every line for your subject, not a template’s. Everything it decides is yours to overrule.
Every page gets a lifespan; you pick it when you publish. Near the end we’ll send a friendly reminder and a chance to re-up — and if you’d rather let it go, the page bows out politely: a quiet goodbye at the address, never a 404.
No. Sections are composed per subject from a pattern library, the palette and type are chosen for the brief, and the copy is written for the thing you described. Two presses of the same sentence come out different.
Everything. Levers retune color, type, spacing, and depth live. Every line of copy is editable, sections reorder and swap, and you can tell the page what should change in plain words.
The free link ends. Pay once for a week, a month, or a year — nothing recurs, and we email you before it runs out so you can re-up. An ended page bows out politely rather than 404ing.
People with something small and real to show: a project, a practice, a launch, a list. If it fits on one page, it fits.
If your question isn’t here, ask it. Requests are welcome too — a pattern you need, a lever you wish existed. A human reads every note.
hi@piko.so